They Just Don’t Get It

  • by Gitabushi

I took a quiz I stumbled onto from Twitter last night.  I can’t find the link now, but it was something about 8 Political Traits. You took a quiz regarding your reactions to several political statements, and from that, it judged your position on 4 different paired-trait spectra.  Like, Authoritarian/Libertarian, Economic Freedom/Control, etc.

One thing I was struck with was that it got Conservatives/Traditionalists completely wrong.  Of course, Progressives usually get Conservatives wrong…it has been shown over and over that those on the Right understand the Left much better than the reverse.  Charles Krauthammer’s formulation is the Left thinks the Right is Evil, and the Right thinks the Left is Stupid.  Which makes sense, of course: the Right thinks the Left is stupid because they understand the Left’s viewpoints and find them immature or unworkable; the Left thinks the Right is Evil because they can’t understand how anyone can oppose the compassion of a $15 minimum wage and free birth-control for women.

Anyway, what bothered me was they characterized Progressives as believing that the human race can and should progress toward enlightenment.  The implication is that the past is always ignorant, and as we learn things, we can improve.  What is the opposite of that?  Why, that some people think that we should cling to the past because that’s how we’ve always done it!  Meaning, the quiz assumed that conservatives are conservative out of fear or reflexive adherence to tradition out of belief that Tradition is simply a Good.

That’s not my view at all.  Maybe I’m projecting to the rest of the Right and/or conservatives, but I think I’m not alone in this.  I’m convinced conservatives are Thinkers, and spend time questioning and trying to understand everything.

In my opinion, Conservatives conserve Tradition because Tradition arises out of What Works.  Humans are humans: we are biologically programmed (whether by God or Evolution) to exploit/game any system to its extinction, but also to require systems to reach our individual and social goals.  We are biologically programmed (whether by God or Evolution) so that in our interactions with the opposite sex, any/all errors of judgment result in pregnancy, because *anything* that results in reproduction is a successful reproduction strategy, and those traits of selfishness, sloppiness, pettiness, dishonesty, manipulation, etc, that assist in reproduction will be passed on.

As such, I support Traditions because those are time-tested ways to avoid pain, disaster, chaos, poverty, loneliness, heartlessness, death, despair, depression and Justin Bieber.

That doesn’t mean Traditions are immutable.  We can learn as a society, and do.  We can rise above our selfishness and pettinesses, and do.

But you have to make the case. You can’t just insist that there is an end goal of perfect equality between all people and all preferences, and anyone who obstructs that progress is wrong.  You have to explain how the direction of progress you want is helpful to everyone involved.  You have to make the case for overturning Tradition.  You have to move slowly when you do make changes, so that we have time to adjust to changes, and to reverse if it proves to be more harmful than helpful.

And most of all, you have to insightfully analyze and clearly identify and explain who pays the price and who benefits.  Assertions are not acceptable as proof.

If something benefits 1% of the nation and makes things worse for 60% of the population, it should not be done.  More time should be taken to ensure that the benefit is worth the cost, and to minimize the cost as much as possible.

So in the quiz, seeing that they characterized Conservatives as preferring Tradition simply because it was Tradition, it lost any/all credibility with me.

Closely related: Chesterton’s Fence.

They Just Don’t Get It

“No Real Plot” in ERB/REH Books

  • by gitabushi

Spoiler: Okay, that was too strong, and I withdraw the charge.  Sort of.

Don’t you love it when a writer starts off the story in the middle of the action, so you are immediately caught up in laser blasts and flying hand-axes?

So here’s the background.

There is a Pulp Resurgence going on.  As a hopeful writer who is hopefully on the verge of being able to complete my first novel, I noticed the trend and thought it might be something worth paying attention to. As in, maybe I might want to write a pulp story.

So I tried to re-read some pulp SFF I liked when I was in my teens.  And didn’t like it anymore.

The stereotype of pulp is that it is simplistic, juvenile, and immature.  Its fans disagree. And they have a point: the writings of Dashiell Hammett are considered by some to be literature worth studying.

hammett
Dashiell Hammett

I personally enjoy reading Louis L’Amour, and while he is definitely a pulp Western writer, he has some interesting characters, occasional fascinating character growth, and some fairly intricate plotting at times.

the-sackett-brand_LRG
…and boy, did L’Amour milk this brand!

But when it comes to SFF, I have to agree with the stereotype: it is immature writing that has been so surpassed by the state of the art that it doesn’t seem worth reading anymore.

So, of course, I had to say this on twitter, because that’s the Proper Location for Virtue Signalling.

Full disclosure: Twitter has changed me. It has helped me to mature and not be bothered by responses and attitudes that would have infuriated me not long ago.  On the other hand, I’ve gotten to enjoy mild trolling, so I’m not always as careful with precise critiques as I would have been in the past.

And PC Bushi and I have a long-running mild disagreement…we both love SFF, but our tastes seem to be diametrically opposed. What he loves, I dislike.  The only thing I love that I know he’s read is the Chronicles of Amber, but that’s enough to know that the reverse isn’t necessarily true. More data is needed.

Anyway, some people had been ripping on some authors PC Bushi liked, and we had a twitter conversation about it, as PC Bushi details here.

That led to me getting called out by a commenter here:

I am sorry but it just reads like nathan hasn’t read anything and is just using other people’s talking points. Couldn’t you describe Brust’s Taltos series as a guy just wandering around killing black elves?

(He later corrects himself note “black elves” is Cherryh’s construction, not Brust’s, but the Dragaereans are called elves, so his point is not undermined by the mistake)

Here is my response, in full:

Okay, I spent a little time thinking about plot, so your challenge actually did some good.

Maybe “no plot” is the wrong way to put it.
What is plot?
According to wikipedia, Plot is: the sequence of events inside a story which affect other events through the principle of cause and effect.

So from that point of view, yes, everything REH and ERB wrote have plots.

But I still don’t think they are very good ones.

Let’s take the first story in “The Coming of Conan”. (I have read most of the original REH Conan novels, but 30 years ago, so we’ll just look at this short story).

What is the plot? A man wants to be king, so plots against the king, who is Conan. He arranges for an assassination squad. Conan has a dream where a God gives him a magic weapon. Conan defeats the assassination squad, except the last one is read to kill him before a demon appears, then Conan kills it with the magic weapon.

So, yeah, there’s a plot, but it’s not a very good one.

Why do we care about Conan? Is he a good king? We don’t know.
Where is the conflict?
Does anything bad happen if Conan is replaced as king? Sure, he’d be killed, but we know nothing about the country, or the people. Why should we care?
Does he do anything difficult to stop the assassination? No, a demon appears.
Does he do anything difficult or special to stop the demon? No, a god gave him a magic sword.

There was *one* bit of interesting development: Conan is nearly killed because he was shocked at the minstrel’s betrayal, and human emotion keeps him from striking the minstrel down immediately.

If anything, the most interesting person, the person who chooses and changes the most, is Thoth-Amon. He had power, lost it when a thief took his ring. He had to flee or be killed from the enemies he made when he had power. In disguise, he’s nearly killed by bandits, but his life is spared when he pledges to serve as a slave. Then his ring comes within his reach again…how does he react to the loss of power vs restoration of his power? That could be a fascinating glimpse into human nature. But he’s the bad guy, so we can’t care about him.

Now compare to Brust’s Jhereg (spoilers!):

Jhereg
An assassin is seduced by greed and ego to take a difficult job. He finds out the job isn’t as straightforward as he thought. If he doesn’t do the job, he’ll be killed. Then he finds out there’s a reason to hurry. If he doesn’t hurry, he’ll be killed. But if he hurries, he might be unprepared, and killed by the target. Then he discovers the target wants to die, but only a certain way. He finds out that if he does his job, his friend will be dishonored. Now, you may not care about the friend and his prized honor, but you can understand and sympathize with the assassin not wanting to force his friend to lose something important to him. Then we find out that the target is trying to destroy 3 of the 17 Houses of the Draegaera. Which the assassin would LOVE to have happen. Now isn’t that some some intriguing, major conflict to be resolved? The assassin has multiple reasons to want to stop the target’s plot, but also has multiple reasons to want the target’s plot to succeed. So he develops a plan, the one thing that could resolve all these conflicts safely. Then the plan goes wrong.

There is escalation of stakes throughout, which makes it a good plot.

Brust lets us get to know the characters, gives us some reason to care about the characters and what they want, makes even the target somewhat sympathetic, and then lets the struggles play out.

Now, to be fair, we’ve compared a short story to a novel. A novel will naturally be more complex, having more length.

So let’s bring in ERB’s The Land That Time Forgot.

The_Land_That_Time_Forgot

What’s the plot? A man is going to war. His boat is sank, he captures the submarine that did it. No way to run a submarine, unless you just happen to have experience piloting one…He just happens to make submarines for a living! He tries to get home, but gets lost. There is some conflict because there is a hidden traitor. He finds an unknown continent. No way to get in, unless you have a submarine. He just happens to have one! He gets inside, and there are dinosaurs inside. They are dangerous, and randomly grab someone. It just happens to not be the hero! Now they have food and water, but no fuel for the sub. Hey, they just happen to find oil! They still haven’t resolved the issue with the Germans, oh, hey, the Germans run off with the sub!

Oh, I forgot, there’s a girl. He loves her because she is beautiful. How do we know she’s beautiful? The author told us. She loves the hero, he loves her. He doesn’t trust her for a while. Oh, wait, he was wrong. She forgives him.

To be sure, there are some minor conflicts: the hidden traitor, the problem about the trust between the girl and the hero, how to deal with hostile prisoners.

But at no point is there much doubt about the outcome of any conflict. The hero is the leader because of course he is. He can command the sub because of course he can. When he needs to kill a dinosaur, of course he can. He can overcome the German commander one on one because of course he can.

Back to wikipedia:
A plot device is a means of advancing the plot in a story. It is often used to motivate characters, create urgency, or resolve a difficulty. This can be contrasted with moving a story forward with dramatic technique; that is, by making things happen because characters take action for well-developed reasons. An example of a plot device would be when the cavalry shows up at the last moment and saves the day in a battle. In contrast, an adversarial character who has been struggling with himself and saves the day due to a change of heart would be considered dramatic technique.

If I had to characterize The Land that Time Forgot, it would be that it is just a series of plot devices, rather than a plot. Or to the extent that it has a plot, it isn’t very good.

And it doesn’t get any better in the sequel, The People That Time Forgot. I set the book down when I got busy, and had zero desire to pick it back up again.

In its favor, there is a great What If aspect to the trilogy: What if there were a lost continent that had dinosaurs and primitive humans? Then what if the inhabitants recapitulated evolution as a personal development process?
Okay, the 2nd is way out there, and I don’t really see the reason for it, but at least there is a What If to explore.
These are milieu books: set up a world, then let the character explore the world, letting us see it through his eyes. The interest is in seeing how this world compares to ours, how the changes in the world cause changes in the humans, or in human society.

Except it really doesn’t. ERB gives us a series of snapshots, but the world never really becomes 3D.

Compare to Heinlein’s Tunnel in the Sky, where the question is “What if a bunch of young adults were stranded on a strange planet and had to create their own civilization?” Definitely a milieu story, but not *just* a milieu story. There is character growth and exploration of human nature and the nature of civilization.
Or compare to Larry Niven’s milieu stories, Destiny’s Road (what if people lived on a planet that lacked any natural source of a vital mineral?), the Smoke Ring duology (what if a society evolved in a weightless environment?). He tells a story with a plot, character that have goals and issues we care about, while *still* exploring a strange world. One of the interesting things about Niven is he wrote several novels about societies based on an Elite enslaving the Common People via monopoly over a scarce vital resource. He explores that theme over and over, in the two stories above, plus The Gift From Earth (human organs), World Out of Time (immortality), and probably more I can’t think of yet.

the-smoke-ring
Woah. Doesn’t this look like a world you want to see a writer explain, describe, and explore?  Hard SF for the win, baby.

Both you and I cited Cherryh.

To be fair, Cherryh has some books without any real plot. Her Fortress series is just a self-licking ice cream cone. As is the Rusalka series. Both do provide some insight into human nature, the nature of fear and love, and how those are exploited…but after finishing each of those, I felt like I do reading ERB and REH: why did I just read that? What was the *point* of the story? In REH and ERB, it’s because I don’t care much about the outcome because there wasn’t much escalation of stakes, too many plot devices, and the characters don’t earn my care. In those two Cherryh series, it’s because after all those words describing so much action, nothing really changes in the world. I guess you could say that in Rusalka there was finally a restoration of normality, but I just didn’t care that much.

In contrast, Cyteen drags you into the lives of a brilliant-but-evil woman who is cloned, and how her clone reacts to the attempts to recreate the evil woman’s brilliant skills by pushing her personality towards evil, in connection with interactions with the young, sympathetic man the evil old woman deliberately abused…this is conflict, in that the man wants nothing to do with the clone because of his memories of the old women, but the clone is fascinated by the young man and has the power to force his proximity. Lots of personal conflict, tough decisions, changing character, people under pressure, sacrificial decisions, etc. A fascinating exploration how conflict, struggle, and pain are the challenges that stimulate growth, and the ethics of using those tools deliberately to try to bring about that growth in others.

Let’s make this even more complex, and bring in ERB’s John Carter. It’s been a while since I’ve read any. I enjoyed them okay when I was 15. I tried re-reading Princess of Mars 5 years ago, and got bored before I finished.

I won’t run through all the things I consider plot inadequacies, but I’ll hit a few points:
– Yes, there’s loyalty, in that Carter saves Tarkas’ life, and Tarkas returns the favor…but to me, that pales in comparison to Vlad Taltos’ considering it better to let himself be killed rather than force his friend to go back on his promise that guests are safe. Of course, Vlad figures out how to resolve that conflict, but Vlad’s loyalty is more poignant to me than the “You save my life, so I save yours” exchange.
– Yes, there’s romance, but just like in the Land that Time Forgot, we are told that Dejah Thoris is the most beautiful woman ever, so John Carter loves her and is blessed to earn her love. Yay. I don’t find it convincing or compelling.

index
…for all we know, Dejah Thoris could look exactly like this.

There are some things in the Barsoom series favor:
– It is based somewhat on the science available at the time (canals!)
– If you want a hero with superhuman strength, it makes sense that it would be an alien that grew up on another planet with 3x the gravity. This is good What If science fiction.

But consider this: how much more poignant, how much more depth, how much more interesting would the whole Barsoom cycle be if John Carter had been torn away from a wife and child, or (worse!) a young, pregnant wife on Earth?

That would make his attraction to Thoris a conflict. That would make his return to earth after asphyxiation a mixed blessing. That would add emotion to his every success on Mars: it all came at the expense of an innocent woman and child back on Earth…and yet, it wasn’t of his own choosing, he is powerless to go back (so why shouldn’t he make their loss mean something good for Barsoom?)…and since his complete disappearance means she is also moving on with her life back on Earth…?

That one change would deeply alter the Barsoom series, making it a truly sublime exploration of the nature of love, and purpose, and dealing with loss.

 

“No Real Plot” in ERB/REH Books

Overwrought Think-Piece O’ the Day

  • by Gitabushi

Progressive ideology. Political power shifts. Societal pendulums. Global Warming. Defeating Evil.

What do these things have in common, besides the letter “l”?

All these different issues cannot be discussed rationally without accurately identifying and applying feedback loops.

For instance, in the case of Global Warming Climate Change, the theory is that the increase in carbon dioxide from human activity is driving the Earth’s temperature spiraling upward. However, the only way this can be true is if factors influencing or controlling the earth’s temperature are, in total, a positive feedback loop. Meaning, the various elements snowball, so the more carbon gets into the atmosphere, the easier it is for carbon to get into the atmosphere in the future.

However, to make this argument, one has to be aware of several negative feedback loops, such as the logarithmic nature of carbon’s impact (the more carbon is in the atmosphere, the smaller effect any given unit of carbon has) and the likelihood that increased carbon in the atmosphere encourages plant growth that has a cooling effect.  Meaning, there are certainly elements that tend to resist change, that absorb changes into a cycle that brings temperature back to equilibrium.  The fact that the world has had both extreme temperatures during different ages, yet keeps within a relatively small, stable range, indicates that negative feedback loops are more powerful than the positive feedback loops in our global climate system.

Regarding defeating evil, the one thing I remember from the 1st Chronicles of Thomas Covenant, Unbeliever is that evil can never be fully defeated. Individual incarnations of evil can be defeated, but since some measure of evil exists in every single human being, evil will always return.

lrdflsbncc1978

Setting aside the notion of evil, that’s why it is so difficult for there to be a permanent one-party rule in the United States.  One significant negative feedback loop is the election interests of individual politicians.  If one party succeeded in complete domination of the political scene, the powerless party would dissolve and the in-power party would split in order for individual politicians to seek power by championing the interests of a minority.  Party overreach usually means that it never even gets to that point.  The Democrats were hailing their permanent majority just 8 years ago.  Now they almost lack the power to stop Constitutional Amendments.

Progressive Ideology assumes a social Positive Feedback Loop, in which human society inevitably progresses toward their assumed and preferred utopia of human enlightenment.

As a fan of science fiction, I have imagined what an Individual Rights Society might look like (call it Conservative, or Libertarian, if you with…neither seem to be fully appropriate terms), but even in my imagination, it is impossible to sustain.  Human nature is too obvious: there will always be people who see their advantage in claiming group rights over individual rights, and there will always be people eager to dictate groups rights to the exclusion of individual rights.

But is the reverse true?

Consider this tweet:

I think she’s 100% correct. However, the problem is that even after the precedent is set, it isn’t a precedent the GOP can use in retaliation against the Democrats.  This is because there simply is no GOP-leaning senior bureaucrat population.  The federal bureaucracy mostly embraces the Progressive mindset.  Where it doesn’t, it correctly sees the Democrat Party as more supportive of the unelected bureaucracy’s power.

As a result, where there should be a negative feedback loop that acts as a check on Progressive overreach, I fear that Democrats (and/or Progressives, and/or Leftists…there’s a huge overlap, but not complete) have metastasized in government to the point that they can enforce a positive feedback loop for their preferred policies.

Maybe not.  The Deep State’s attack on the US Constitution is out in the open now, and the GOP does have an unprecedented advantageous position to begin dismantling it, just like Walker is doing in Wisconsin.

However, let me clarify what I mean by the Left enforcing a positive feedback loop.

Normally, overreach results in the pendulum swinging back, as individuals exercise their political and social rights to disagree and oppose.  But the nature of Leftist ideology is to embrace and empower group rights, not individual rights.  They control education, so they can teach you the history and values they want you to have.  They control entertainment, so they can craft narratives in which the Progressive ideology always turns out to be correct. They control the news, so they can make it seem like the GOP following Democrat precedents is an outrageous, unprecedented scandal.  They control the federal bureaucracy, so they can pick and choose which of the millions of pages of regulations to enforce to punish individuals for opposing their agenda.  They can make the process be the punishment so that you can’t even fight back against things like EPA overreach without bankrupting yourself.  They control the judiciary (mostly), so they can re-legislate and nullify laws they don’t like (up to and including declaring a Constitutional Amendment to be Unconstitutional).  They can allow non-citizens to flood the nation to outnumber citizens and get representation and federal funding based on illegal aliens.  They can channel taxpayer money to Progressive organizations like Planned Parenthood, and get money back from Planned Parenthood to fund Democrat politicians.  And they can use all these various institutions to move the Overton Window to make it impossible to even talk about alternatives to their vision.

If Hillary Clinton had been elected, there would have been significant erosion of 1A and 2A rights.  So we dodged a bullet there.

But even with Donald Trump duly winning the election, even with the GOP controlling Congress, controlling approximately 2/3 of the governorships, controlling a majority of state legislatures, and conservatives about to control the Supreme Court, we find ourselves on the defense from the Deep State attempting to sabotage the Trump Administration.

The battle is in the open now, but despite it being open, I’m not at all certain the GOP can win.  Too many people would rather be right about Trump than protect the normal order of Constitutional governance.

If we lose this, we won’t lose our rights immediately.  But it will be a slow erosion.  Some negative feedback elements do still exist to slow, and sometimes even turn back, the growth of the Leviathan State.  But if the Deep State wins, expect to see more and more of the negative feedback loop mechanisms dismantled.

My bottom line: sure, a Trump administration is going to be a shit-show. It will be clumsy. It will make mistakes. But the more conservatives pile on, the easier it will be for the Deep State to win in their battle against the POTUS, and we’ll all be the worse off for it.

The Deep State has declared war on the rightfully-elected President of the United States.  By choosing to go to war against the President of the United States, the Deep State has declared war on the US Constitution.  You have to choose a side. There’s gotta be away you can defend the Office of the Presidency without defending Trump the man himself. Find it.

 

Overwrought Think-Piece O’ the Day

A thought on contemporary SFF

Some of my SFF analyst/author/blogger cohorts talk much recently of the coordinated expunction over the past several decades of literary giants like Brackett, Merritt, and the old pulp fiction stars. As I’ve said before, I can’t speak much to that. I’m not immersed in the industry or the history, and my understanding of what qualifies as “canon” is hazy.

I have, lately, been listening to Dan Carlin’s Hardcore History episodes on WWI. It’s hard-hitting stuff, and across the several hours I’ve listened to so far, he’s made several side references to Tolkien, Lewis, Wells, and their ilk, who were all contemporaries and (in Tolkien and Lewis’ case) participants in the Great War. This, combined with some of my recent reading about these guys has gotten me thinking.

Here’s the thought, on Twitter:

thought

 

So why is the Song of Ice and Fire series a litany of rapes and ignominious murders (and I say this as a general fan of the series)? Well, perhaps in part because the writer and the target audience aren’t seeing these kinds of horrors all around them, and there is an appetite for this kind of entertainment. Don’t forget, people are brutal creatures.

list-10-things-you-may-not-know-about-gladiators-e

I’m not saying this is to be praised, and I certainly cheer for those authors who work toward a return to the pulp heroics of times past. But I think there are numerous factors at play here, and we can at least be grateful that we aren’t craving escape from rationing, and conscription, and death on a grand scale.

-Bushi

bushi

A thought on contemporary SFF

Walking Dead, Season 7: Far-Right Tutorial

  • by Gitabushi

There are plenty of spoilers in the following piece.  If you aren’t caught up on the story, well, at some point you have to take responsibility for being weeks behind.  There has been plenty of time for everyone to catch up on the storyline, so I’m not even going to try to avoid spoilers.  I’ll put it below the jump, however.  And the spoilers will be minor, I think.

Continue reading “Walking Dead, Season 7: Far-Right Tutorial”

Walking Dead, Season 7: Far-Right Tutorial

Guitar Lust: Kramer DMZ 2000

  • By Gitabushi

One of the things that annoys me the most about a guitar is if you take a guitar out to another location to play it, or move from indoors to outdoors, and the change in temperature and humidity causes the neck to bend differently.  Suddenly, the strings fret out. Or the action is suddenly higher.  You have to get out an allen wrench and make adjustments to the truss rod.

Or even worse, you purchase a guitar, and over the months or years, the neck slowly warps, twisting or bowing or even developing humps that make it nearly impossible to have low action without buzzing or fretting out.

Guitar manufacturers are aware of this, and they dealt with it in a number of ways.  First, of course, is the truss rod that allows you to adjust to the changes.  Other solutions have included dual carbon-fiber truss rods (that can deal with twist), baking/drying/aging the wood so that it will less susceptible to environmental conditions, using three-piece necks with the grain of the middle strip running opposite to the two outside strips to cause any wood movement from environmental factors to work in opposition, and using other materials that are less susceptible to environmental changes.

In an excellent example of that last approach, in 1976, the Kramer guitar company made aluminum-necked guitars.

The guitars featured an aluminum skeleton neck, with a distinctive forked neck, attached to a normal wood body.  The neck has wooden inserts usually, but not always, the same type of wood as the body, with the intent of providing a more conventional, less cold feel for the guitarists fretting hand.

In 1978, they came out with the DMZ line, including the one I have, the DMZ 2000.  The DMZ portion was a marketing emphasis on its Dimarzio pickups.  The 2000 being that it was better than the 1000, I think.  Or maybe just that there was a series, because the 3000 is just a Strat-style guitar, without extra features, and the 4000 and 5000 series are basses…no one in their right minds would say a bass is better than an electric guitar, right?

Like all Kramer aluminum-necked guitars, the DMZ 2000 featured an ebonite fretboard. That’s something I really appreciate, because I really like ebony as a fretboard for a number of reasons.  First, I like the appearance of black fretboards.  Second, I fancy that I can hear an impact on tone; guitars with ebony fingerboards seemed to have an extra chime to the attack.  Or, at least, I used think that.  I can’t seem to tell the difference anymore, so maybe it was all in my head in the first place. After all, there is no way to swap out fretboards on the same guitar to a/b the tone.  Third, ebony has always been the easiest and fastest to play on.  I really can feel that rosewood fretboards are more difficult to play on, because the softer, more open-grained wood of rosewood literally clings to skin and slows down the release.  I know the difference is microseconds, if not nanoseconds, but I have tested this out on many guitars, and I really can feel the difference.  Ebony-style man-made materials (like ebonite and other materials like acrylic) are simply faster.

diagram

The DMZ 2000 also has two coil split toggles, so you can get eight different usable tones from the two pickups, including some good single coil tones either singly or in combination.

All that aluminum does make the guitar pretty heavy.  It’s a drawback that doesn’t bother me much, but might bother someone with shoulder or back problems.

The guitar is very comfortable to play standing up or sitting down.  Personally, I love the tone and ergonomics of playing this guitar.

I got mine from a local vintage-focused guitar shop.  I was surprised to see it listed at just $850.  I had heard about these and thought they would be collector-priced well beyond my willingness to pay, maybe something above $2000.  A quick search showed that the price was pretty much in-line with what they sold for on Reverb, or maybe slightly lower.   I didn’t regret buying it.  It is one of my favorite guitars: collectible and a great player, but also durable enough that I wouldn’t be afraid to take it out to a gig.

There are other aluminum-necked guitars made by Kramer, of course.  The DMZ line was the second wave, running from 1978 to 1981.  From these pictures, you can see the first wave, as well as how the second wave changed during its production run:

robdutch1

You can find out more about Kramer’s aluminum-necked guitars here.

…man, I really want to choose “robots” as one of the categories for this post, but I’ll stick with accuracy and refrain.

 

Guitar Lust: Kramer DMZ 2000