A secret Hobbit song

HP’s Summer of Tolkien has got me hankering for some Hobbit!

I’ve got very fond memories of the old Rankin and Bass production that HP recently reviewed. I saw it before having read the book, and no doubt it contributed (along with the other Rankin and Bass films, David the Gnome, Eureeka’s Castle, and the like) to the strange brew that fostered my strong and lasting love of fantasy and scifi.

Perhaps needless to say, the songs from the Hobbit cartoon poke me in the nostalgia bone.

The other day I was killing some time with my son, who’s just starting to notice shapes and colors and reach for things with his hands, and I decided to play “The Greatest Adventure” for him. Conveniently, I found a whole playlist of the OST!

And…what’s this? Track 3: Old Fat Spider.

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Quite interesting. I don’t know if the Mirkwood scene involving Bilbo’s fight with the spiders was originally slated to run longer, but this song didn’t make it to the final cut.

So if you’re a fan of the animation, check it out. A nice little secret tune.

-Bushi

bushi

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Easter’s Green Blade

Not much new to report! The little poop goblin continues to consume a majority of my time.

At mass yesterday, I heard a certain hymn. This seems to be in rotation recently at my parish, as I remember hearing it a month or so ago for the first time. It’s become one of my favorites.

“Now the Green Blade Rises” has a rather simple but stirring melody. Something about it just grips at me, especially when performed by a full choir. Not to mention the title is just really cool and evocative (it refers to a shoot of wheat, but conjures up the image of a sweet sword or something).

Here are a couple nice renditions:

-Bushi

bushi

Guitar Lust: B-Way Guitars’ Mercury Head

  • by Gitabushi

Back in 2012, on the guitar brand fan forum I used to frequent, one of the members posted an announcement that he was starting a line of guitars.  He designed the guitar himself, contracted a builder to make the bodies and necks and paint the bodies, and then did the finishing work himself.  He showed his prototype, and his first build, and posted some clips.  They looked interesting, and sounded great.

Here’s the story of how he got started.

That was it for two years.  He wasn’t exactly pumping out a huge volume of guitars.

In mid-2014, he posted pictures of his next build, which (IIRC, were his #3 and #4 production guitars). I had saved up some money in my guitar fund and wanted to purchase a premium guitar brand new, and I chose his.

Here is my guitar.

I had a great time discussing the build with Ben. We went through so many iterations talking about the pickups.  I ended up choosing P-Rails, flipped from the recommended configuration to get a little extra twang by moving the rails farther away from each other, one closer to the bridge for brightness, and the other closer to the neck for sweetness.  Then a 3-way switch to select bridge pickup, neck pickup, or both, and a 2nd 3-way switch to select P-90, rail, or both (in series/humbucking) I didn’t feel like I needed parallel wiring, nor was I worried about being able to pair the P-90 in one position with the rail in the other.  It would have made the wiring and switching too complicated. I have 9 distinct, awesome tones.

Well, he’s kept up the furious pace of guitar building he set early, and production guitar #8 or #9 is up for sale (depending on when you read this, it might not be for sale any more). I’m not sure if the fraternal twin is still being prepped or has already been sold.

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My guitar sounds wonderful.  The neck joint is very solid and tight, and I believe that increases tone and sustain. It is wonderfully ergonomic, making it easy to play. The fit and finish is flawless. You look at it, and pick it up, and it just feels like a luxury guitar.  Mine is worth every penny.  It is a guitar I can never sell, for various reasons.

I feel really proud to have one of the few B-Way Mercury Head guitars.  It is truly a prized possession, the jewel of my collection, and a great guitar to play.

Do what you have to to get one.

Here’s a gallery of guitars and guitar builds on the B-Way website.

The red one you see in that gallery?  It was purchased by Walter Becker of Steely Dan, and was one of his backup guitars, on stage with him in live performances.

Not too shabby!

Now Ima Retweet Her! (Parody Lyrics)

  • by Gitabushi

With apologies to the Monkees and Neil Diamond.

To the tune of “I’m a Believer”

I thought #FF love was just a fairy tale
Meant for someone else but not for me.
Fame was out to get me
That’s the way it seemed.
Follower count haunted all my dreams.

Then I saw her meme, now Ima retweet her
Not a trace of shame in my mind.
Gonna troll, mmmmm, I’m a retweeter!
I couldn’t delete her if I tried.

I thought retweets were more or less a givin’ thing,
Seems the more I gave the less I got.
What’s the use in tryin’?
Likes is all you get.
When I needed sharing I got sh*t.

Then I saw her meme, now Ima retweet her
Not a trace of shame in my mind.
Gotta troll, mmmmm, I’m a retweeter!
I couldn’t delete her if I tried.

Previous entries:

“Ebola’s Back”, a Parody Lyrics Post

Berkeley, California

Tax the Rains

Oh, Cthulhu

Poctober: the Spinx and the City in the Sea

“The Sphinx” turned out to be an interesting choice for starting off the month. Set against the backdrop of a cholera outbreak in New York, Poe immediately establishes a potent undertone of dread. In the tale, he is staying at the country cottage of a friend for the summer. Though they are distanced from the plague and surrounded by the beauty of nature, the peacefulness is tainted. Daily they receive messages about the passing of acquaintances and friends.

Poe relates his growing anxiety amid the gloom, and eventually shares the story of an experience beyond his explanation. He describes witnessing a giant horror across the river and admits that the sight made him question his sanity. This thread of madness-inducing (or sanity-questioning) horror places Poe’s influence on Lovecraft on full display, for this would become HPL’s brand through and through.

I’ll forgo explaining the ending here, in case you’d like to read it (it’s quite a short story), but suffice it to say it ends on a somewhat humorous note. Rather than madness or death, Poe issues something of a sad trombone to his literary persona.

“The City in the Sea” is a dark piece about a city in the West where Death sits upon a throne. The titular city is visited by a “long night-time” and untouched by the light of heaven. It is a place of riches and impressive constructions – domes and fanes and Babylon-like walls, and towers, and shrines.

In the end, the waters turn red and Hell rises to do reverence to the city.

I was quite impressed by the poem, though I can’t say I fully grasp every element of it. It sounds much as if the city is a domain of Hell on earth (how’s that for a commentary on Western civilization), and yet one of the earliest lines says

“Where the good and the bad and the worst and the best
Have gone to their eternal rest. ”

Perhaps this line is speaking of the West in general, rather than the city. Otherwise I’m not quite sure what to make of this haunting place, beautiful and yet foul, if the best be there as well as the worst.

In an earlier form, the poem was titled “The Doomed City,” and was later reworked and renamed “The City of Sin” and then finally “The City in the Sea.” Inspirations for the work are said to include the Biblical city of Gamorrah and Coleridge’s “Kubla Khan.” It would go on to inspire other creators, including Danish composer Poul Ruders:

Overall, I’d say this was a pleasing reintroduction to Edgar Allan Poe. Much like Howard and Lovecraft before I’d read and researched further about them, his work was more varied than I’d realized.

-Bushi

bushi

 

 

McLintock! and the Minstrel of Gondor

I recently discovered that Amazon Prime’s got a nice little cache of westerns and have been picking through some of the old John Wayne flicks. Yesterday’s lunch break selection was McLintock! – a kind of comedic western about the titular wealthy, but of course manly, cattle baron (Wayne) and his estranged wife (Maureen O’Hara). I was pleasantly surprised to see her in the leading woman’s role. Hadn’t realized the two of them had co-starred in so many films together!

Anyway, there was something familiar about movie’s opening song. It took me a moment, but it was that lead vocalist. Sounds a lot like the vocals from that 1977 animated Rankin and Bass Hobbit production. Well, turns out that’s because it is!

Glenn Yarsbrough, who just passed away last year, had a real nice timbre. Here are a couple of his pieces that I remember fondly, despite not knowing who he was until now.

The Minstrel of Gondor! Not a bad post.

RIP, Minstrel.

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-Bushi

bushi

“Ebola’s Back”, a Parody Lyrics Post

  • by Gitabushi

To the tune of “My Boyfriend’s Back” (Karaoke version, so you can sing along, here)

[Spoken]:
We thought we beat you but you hung around, waiting for a chance. And when nations wouldn’t follow epidemic protocols you did some things to people that weren’t very nice.
[Sung]:
Ebola’s back and you’re gonna be in trouble.
(Hey, la-di-la, Ebola’s back.)
When you see them dyin’, better cut on the double.
(Hey, la-di-la, Ebola’s back.)
Obama made claims that were clearly untrue.
(Hey, la-di-la, Ebola’s back.)
Like you can’t get it from someone sittin’ next to you.
(Hey, la-di-la, Ebola’s back.)
And all the refugees are tryin’,
To reach the US while they’re dyin’
It’s been gone for an interval of time.
(Hey, la-di-la, Ebola’s back.)
Just long enough we all thought it would be fine.
(Hey, la-di-la, Ebola’s back.)
You’re gonna be sorry you were ever born.
(Hey, la-di-la, Ebola’s back.)
‘Cause you’ll vomit and ache from night till morn.
(Hey, la-di-la, Ebola’s back.)
All the countries that are cheatin’,
Spread the multi-orifice bleedin’.
What made you think it wouldn’t take Blue lives?
(Ah-oo, ah-oo.)
Gated communities are in for a surprise!
(Ah-oo.)
Wait and see!
Ebola’s back, open borders help transmission.
If I were you, I’d probably halt immigration.
(Hey, la-di-la, Ebola’s back.)
La-di-la, Ebola’s back!
La-di-la, Ebola’s back!